University of Kentucky 1980-1981 course catalog cover features a book
on “computers and data processing.” Computing* isn’t quite as classic as
literature or history, but it’s got at least 30 years under its belt.
Happy start of the semester to all the students!
*The mathematics involved in computing certainly are, though!
Thursday, August 29, 2013
Monday, August 26, 2013
Friday, August 23, 2013
Sesquicentennial Stories: The Promise of UK #87
Sarah Blanding was born on November 22, 1898 and
attended public schools in Lexington, Kentucky.
Her father passed away when she was only fourteen years old. Blanding was determined to go to college but
knew that she could do it only if she worked her way through. She decided early on that physical education
training would quickly make her self-supporting.
Blanding went to the New Haven Normal School of
Gymnastics and graduated in 1919. She
came back to Kentucky and studied for her A.B. at the University of Kentucky in
the mornings and taught physical education in the afternoons.
Dean's at the University of Kentucky, 1927 |
At this time, Frances Jewell (later McVey) was dean
of women and the two came to know and respect one another. After Frances Jewell married Frank McVey,
Sarah Blanding was selected to become dean of women in her place. Blanding herself thought that she was too young
and inexperienced but she agreed to become acting dean for six months. Despite Blanding’s
hesitation she enjoyed being dean and served an entire year. Nonetheless, Blanding wanted to finish her
graduate study so she left the University of Kentucky to go to Columbia where
she received her A.M. in 1926.
Next, Blanding spent a year at the London School of
Economics and in 1928 she returned to UK to be dean of women and associate
professor of political science. In 1941
she was appointed head of the College of Home Economics at Cornell and seven
months later she was made dean of the College – the first woman to become a
dean at Cornell. In 1946, Blanding accomplished another first by becoming the
first woman president of Vassar College.
President Albert Kirwan of the University of Kentucky and Sarah
Blanding at the dedication of Blanding and Kirwan towers, 1968
|
Sarah Blanding was known for being direct,
objective, frank, completely unpretentious, and for having a keen sense of
humor. In 1968 Blanding Tower and its
affiliated low-lying buildings of the Kirwan-Blanding Complex at UK was named
in her honor.
Labels:
Sarah Blanding,
Sesquicentennial Stories,
women
Wednesday, August 14, 2013
Mrs. Luckie: Killed by Lightning
This scrapbook entitled “Mortuary of
Lexington, Kentucky” and compiled by General John M. McCalla (1793-1873),
consists of funeral notices and obituaries printed in local Lexington
newspapers from 1803-1869.
Lastly,
this 1844 funeral notice for Caroline Turner notes that she was “murdered by
her slave”. Caroline Sargent Turner, wife of the Honorable Fielding L. Turner,
was notorious for beating her slaves. She was found strangled in her home in
1844. After fleeing, one of her slaves, Richard Moore, was apprehended in Scott
County, tried, and hanged for her murder.
2013ms0755: John M. McCalla "Mortuary of Lexington, Kentucky" scrapbook |
Scrapbooks are an often unloved historical format, but this
mortuary depicts a snapshot of Lexington social life and the treatment of death in
the nineteenth century. Additionally, it documents various newsworthy events
through its marginalia.
Numerous funeral notices have notes written in ink or pencil. For example, this one from 1817 is a notice for the funeral of Mrs.
Jane Luckie. The marginalia reads “Killed by lightning at the Presbyterian
Church”.
These funeral notices from 1829 document a famous Lexington
duel between Charles Wickliffe and George J. Trotter. The duel has its roots in
the acquittal of Charles Wickliffe for the murder of Thomas R. Benning, editor
of the Kentucky Gazette. Wickliffe
shot Benning during a disagreement over editorials, which criticized his
father, politician Robert Wickliffe. Henry Clay acted as Wickliffe’s lawyer
during his trial. Later that same year, Wickliffe challenged the new editor of
the newspaper, George J. Trotter, to a duel over articles questioning the fairness
of the trial. During the duel Trotter killed Wickliffe on the second shot.
The mortuary contains the funeral notice for Thomas R.
Benning with the marginalia “Killed by Charles Wickliffe” and the notice for
Charles Wickliffe annotated with “Killed in a duel with G.J. Trotter.”
Labels:
highlights,
Lexington (Ky.),
scrapbooks
Friday, August 2, 2013
Sesquicentennial Stories: The Promise of UK #88
The King Library Press was
officially founded in 1956 by Carolyn Reading Hammer (whom later became UK Libraries’
curator of rare books). Carolyn Hammer
was influenced by the Gravesend Press of Joseph C. Graves and also Victor Hammer,
to whom she was married. Victor Hammer,
a Viennese artist and typographer, designed a number of uncial form types, the
best known of which remains the popular American Uncial.
Victor Hammer began
printing in Florence in the 1920s, where he had an antique-style wooden press
constructed. Victor Hammer built the
press with the help of local Florentine craftsmen in 1927. Based on a press in
the Laurentian Library, it was first used to print John Milton’s Samson
Agonistes. The book was set in Mr. Hammer’s second uncial and christened
Samson. Punches for the type were cut by Paul Koch, Rudolf Koch’s son. Samson
Agonistes was issued in an edition of 103 copies. In 1933 Hammer closed his
studio in Florence and the press was stored. In 1954 it was moved to the
University of Kentucky where it was first used by the King Library Press in
1959.
Members
of the Bur Press in the mid 1940s — artist Harriett McDonald Holladay, printers
Amelia Buckley and Carolyn Reading Hammer, and hand bookbinder Mary Spears Van
Meter.
|
However, Amelia Buckley
and Carolyn Hammer had been printing at their Bur Press since 1943. When they
decided to close operations at the Bur Press their Chandler & Price
printing press which had been located at Hammer’s studio in Bullock Place, was
moved to the basement of the King Library - which then held the Acquisitions
Department - together with type, equipment, and paper.
Victor Hammer and a
group of friends formed the Anvil Press in 1952. Victor designed the books for the press and
Jacob Hammer was the pressman. Eventually this press was also donated to the
University.
Library Staff Christmas
Dinner; From left to right: Carolyn Reading Hammer, Catherine L. Katterjoler,
Jacqueline P. Bull, Mary Jane Stallcup, Maona Shinkle Eaves, and Daisy Taylor
Croft, 1940
|
Carolyn Hammer, Nancy
Chambers Lair, Stokley Gribble, and Mary Voorhes had been printing some
book-plates and small pieces on the press in the basement of the King Library
but wanted to do something more substantial.
They started working at the press on their lunch breaks at noon. The first book they printed was The Marriage of Cock Robin and Jenny Wren
in 1956. They first named the press,
High Noon Press but then attributed it as the King Library Press. At the time, they printed for the sheer
pleasure of printing.
Hand-set type is set
piece by piece, letter by letter, and by hand. Every piece of type for each
letter is separate and it is used over and over again. After each use it is
returned to a specially-designed case, which has larger compartments near the
front so that the most-used type is more accessible. The paper that is used for
printing is hand-made and some of the finest available.
Joe Graves’ Gravesend
Press, is also a part of the King Library Press. There are also more modern presses including
a Vandercook SP15, a gift of the Harrodsburg Herald, a Vandercook Universal I,
and several by Chandler & Price.
Picnic at Gethsemane;
Carolyn R. Hammer, 1967
|
The King Library Press
is located in Special Collections of UK Libraries and is directed by Dr. Paul
E. Holbrook. The work of the Press – hand
setting type, printing on antique presses, and binding – is done by student
interns and staff volunteers. The
objective of the Press is to preserve and demonstrate historical printing
techniques using period equipment and methods.
“The press gives those
working with it a historical understanding of the book,” said Paul A. Willis, former
director of UK Libraries. “It adds an element of distinction to the library and
University which I hope we are able to maintain.”
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